| |
 |
| |
|
| |
|
| |
Apologies!
There is nothing to report here at the moment. Try again in a week when we've updated. |
|
| |
|
 |
| |
 |
| |
Re:live - Third International Conference on the Histories of Media Art, Science and Technology
Re:live Media Art History conference call for papers, panels and posters on the histories of digital, electronic and technological media arts. With the theme of Re:live they are especially interested in expanding the range of topics to include sustainability, live arts and the technological arts of life, both organic and non-organic.
How do the media arts change? Through innovation, accident, discovery, mutation or crisis? How did contemporary media arts come to look and sound like they do? What options and potentialities and eccentricities in the history of media have been lost or overlooked or suppressed? What hopes have been realized and which dashed? What is the history of speculation on alternate histories, and how have they altered the course of media art history?
Selected papers from the conference will be published in Leonardo (MIT Press)...website
|
Deadline: 19 Dec 08
200 word abstracts of proposals, panel presentations and posters should be submitted in either text, RTF, PDF or Word formats.
More information
The conference takes place from 26-29 Nov 09, Melbourne, Australia |
| |
Archives in Academic Research
Applications are invited from doctoral students registered at UK universities in film/television/media/cultural studies, history, American Studies, architecture, anthropology and other relevant disciplines for an Arts and Humanities Research Council collaborative doctoral training programme on using moving image archives and archival materials in academic research.
Leading academics, together with representatives from the BFI National Archive, the Imperial War Museum, The British Universities Film and Video Council, the Media Archive of Central England, the national archives of Wales and Scotland, the Broadway Media Centre and others will deliver training events. Students can be linked to an archive/institution appropriate to their research. Bursaries are available to defray the costs of travel and accommodation...website |
Deadline: Ongoing
Visit AHRC for more information
To apply contact Professor Roberta Pearson at the University of Nottingham AND Dr Lee Grieveson at University College London |
| |
Journal for Cultural Research
Journal for Cultural Research is an international journal, based in Lancaster University's Institute for Cultural Research. It is interested in essays concerned with the conjuncture between culture and the many domains and practices in relation to which it is usually defined, including:
* politics
* media
* technology
* economics
* society
* art
* the sacred
The journal publishes original essays by established and emerging writers around the globe who are developing the future of cultural theory and research in the 21st century. The Journal encourages writing that explores every aspect of cultural experience, experiences that occur in the correlation between fields of knowledge, types of normativity, and forms of subjectivity in different domains and locations around the world. For more information on how to submit please visit the journal's...website
|
Deadline: Ongoing
Manuscripts must conform to the Harvard reference style.
Authors should submit via email three copies of their paper, double spaced, with a maximum length of 8,000 words (including notes and references)
Email - Shannon Lowe, Assistant Editor and MIck Dillon, Editor |
| |
Convergence: The International Journal of Research into New Media Technologies
Convergence is published by Sage Publications, and is one of the longest-standing journals in new media studies. Apart from two annual special issues, Convergence publishes two numbers a year which are open to any submissions that fall within our remit. Papers in areas including the following are welcome. For more information on areas of interest visit Convergence...website |
Deadline: Ongoing
See Convergence for edition deadlines
Instructions for authors |
| |
|
|
| |
|
 |
| |
|